Level 1, 135 Fitzroy Street Grand Boulevard St Kilda, VIC 3182
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Level 1, 135 Fitzroy Street Grand Boulevard St Kilda, VIC 3182
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*Initial one-to-one consultation, Health & Fitness Assasments Bespoke training program planing, Custom Nutrition plan & recipes. Weekly Progress Reviews
*Initial one-to-one consultation, Health & Fitness Assasments Bespoke training program planing, Custom Nutrition plan & recipes. Weekly Progress Reviews
*Initial one-to-one consultation, Health & Fitness Assasments Bespoke training program planing, Custom Nutrition plan & recipes. Weekly Progress Reviews
Jye Bryant is a Sydney-based, Australian Musical Theatre Composer, Lyricist, Producer and Author with a passion for Theatre, Education and Social Justice. His works are performed regularly on cabaret circuits all over the world, where he has gained popularity as the composer of choice for many high profile international artists and theatre companies.
Jye’s most well-known musical, The Things I Could Never Tell Steven, has had 11 international seasons including the National Theatre of Parramatta (2020), Pride Arts Chicago (2021), Northwestern State University of Louisiana (2022) and Belfast’s Outside The Lines Theatre Company (2019).
Some of his other work includes: Captain Moonlite (2020 & 2023), Sempre Libera (2019 & 2020) The Oldest Profession (2016), The Velveteen Rabbit (2013), In Bed With Jye (& Friends) (2012), Rainbow Tears (2007), Aladdin Goes To Africa (2007), Peter Pan (2006), Cinderella Meets Her Prince (2005), Sleeping Beautifully (2004) and many more.
VISIT WWW.JYEBRANT.COM →
Created by Jye Byrant
Steven’s family must desperately compete for his attention. As wife, mother, father and lover each come to terms with hidden feelings of betrayal, anguish, frustration and fears, we learn about Steven and the secret that will tear the family apart.
Audiences will laugh, squirm and cry with the musical rollercoaster of the modern dysfunctional family. The Buzz from Sydney calls it “an emotional roller coaster that powers between comedy and intense drama…” while Theatre Haus describes it as “a piece of theatre that is real, raw and engaging, and it makes for an evocative evening of the best kind of theatre.
Book by Margery Williams
Script by Jeannie Melinz
Music & Lyrics by Jye Bryant
When a little boy receives a toy velveteen rabbit for Christmas, it quickly becomes the boy’s much-loved, favourite toy. But soon more modern, mechanical and wind-up toys steal the boy’s attention, and the soft, cuddly, fluffy-tailed velveteen rabbit is tossed aside in the nursery. There the velveteen rabbit befriends the old and wise toy Skin Horse, who explains what it means to be loved and what it means to be real. Despite setbacks, neglect and criticism from the other toys, Velveteen Rabbit discovers that nursery magic happens when you stay true to yourself.
Created by Jye Byrant
The show is a one-act (90 min) musical featuring five (5) men that tells the captivating true story of the Irish-born, Australian gay bushranger, Captain Moonlite, AKA Andrew ‘George’ Scott, who led a ragged bunch of young misfits to stage a siege and shoot-out near Gundagai, NSW.
The musical is set in a death cell of Sydney’s Darlinghurst Gaol on the eve of Captain Moonlite’s execution in 1880. We hear (told directly from his unsent and previously suppressed death cell letters) about the events that led up to his execution including the birth of the Captain Moonlite legend, the alleged bank robbery and the siege and shoot out that led to the death of his male lover and fellow outlaw, James Nesbitt.
“The musical runs for about ninety minutes with no interval but the time just seemed to fly as the audience was absorbed in the storyline so completely. Captain Moonlite was well written, very well directed with a strong cast to create a great night at the theatre.” – Stage Whispers
Created by Jye Bryant
Orchestrations by John Tweed
Set on one tumultuous evening in early 1929, Mother May’s is a nightly burlesque show and club where punters can pay to spend time with one of Mother May’s girls after the show. The owner, madam and mistress of ceremonies, Mother May, energises the audience with bawdy humour and sassy audience interactions, however, backstage – away from the risqué performances for the punters – the women work through their own personal life struggles. From escaping a violent ex-lover to pursuing implausible dreams of becoming a famous movie star, Mother May’s girls are more than the superficial, burlesque-style performances they put on to satisfy and appease the wealthy male punters.
A graduate of the Victorian College of the Arts Musical Theatre program, Alec is a multidisciplinary artist working as an actor, singer, multi-instrumentalist, musical director and composer. Acting credits include Once (Darlinghurst Theatre Co), Twelfth Night (Melbourne Theatre Co), As You Like It (Queensland Theatre), The Gruffalo, The Gruffalo’s Child & Room on the Broom (CDP), and before Covid cancellations, they were excited to work with Opera Australia in the cast of The Secret Garden. As a musician, Alec has musically directed, composed or performed in productions with Queensland Theatre, Sport For Jove, Hayes Theatre Co, Pop Up Globe and more. Alec holds their AmusA Diploma in Violin and currently has multiple new works in development, including ‘Silver Tongue’.
A motley crew of people shelters in the back room of a run-down pub, singing songs and spinning stories whilst they wait for a storm to pass. But when an unexpected visitor shows up uninvited, the night takes a rather interesting turn…
Silver Tongue is a queer, musical adaptation of Robert Louis Stevenson’s classic, which challenges the male-centric narrative of heroes and happy endings. Framed through the eyes of a female Long John Silver, it tells a different version of what happened on that infamous treasure hunt.
With a swashbuckling score by Alec Steedman and an imaginative book by Miranda Middleton, Silver Tongue is a new Australian musical about misfits finding a place where they belong.